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£99.00 Original price was: £99.00.£14.99Current price is: £14.99.
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An all-in-one symphonic library that makes it easier than ever to bring your orchestral ideas to life! Features 30,000+ detailed samples of strings, brass, winds, and choral ensembles, along with a unique library of chords & voicings that puts the full palette of symphonic tones at your fingertips. With Rhapsody: Orchestral Colors, there’s no faster way to create fully-voiced orchestral textures!
Rhapsody: Orchestral Colors is the companion to our critically-acclaimed Rhapsody: Orchestral Percussion virtual instrument. Recorded in the same focused, neutral, and highly-versatile hall, this library offers the rest of the orchestra: strings, brass, winds, and choir ensembles, all deep-sampled in sections for maximum control and flexibility.
The heart of the library is our custom orchestrator engine that transforms single MIDI notes into beautiful, lush chords and textures across multiple ensembles. Unlike “pre-baked” orchestral libraries, Rhapsody: Orchestral Colors gives you individual control over the voicing of each section – for example, violins/viola, celli, and basses can all play unique chords, voices, and intervals. We’ve also recorded two octaves of unison notes for each ensemble allowing you to create your own chords from scratch!
The highly flexible sound of Rhapsody: Orchestral Colors, recorded with three mic positions, is suited equally to chamber music and classical mockups as it is lush film scores and epic cues. Every section has its own unique mic mix controls and output routing so you can mix each orchestral ensemble to taste. Film, TV, and game composers will love the versatility of this library and how quickly their orchestral ideas can be transferred to the DAW.
Rhapsody: Orchestral Colors includes an elegant and powerful script engine that supports up to four ensembles in a single patch. Each ensemble has its own unique set of controls: mic mix, 4-band EQ, panning, Kontakt output selection, and chord voicing. Mics can even be loaded or unloaded for each instrument without affecting the others! Changing all ensembles at once is also possible with the Link control. Our custom orchestrator script is the star of the library. In this screenshot, each ensemble is set to “Wide” mode – by pressing any key on the keyboard, each section will play a pre-voiced chord with wide voicing built on the key that was pressed. Playing in the lower octaves will trigger major triads while the upper octaves trigger minor triads.
We’ve created a huge number of other modes as well, such as:
Each section can also be set to Random or Split modes. In Random mode, the voicing used will be selected at random from a user-selected pool. This is fantastic as an inspirational tool! Split mode allows for up to three voicings to be used depending on what part of the keyboard is used.
Besides the ultra-powerful chord mode, we’ve also included Unisons patches with two octaves of single notes sampled per section. From contrabasses to violins/violas and trumpets, that’s a total orchestra range of C1 to C6! The Unisons can be played in Natural mode, where each instrument triggers only in its natural playable range, or in Zone mode where each section can be assigned a different keyboard region.
Rhapsody: Orchestral Colors includes extensive settings and performance controls to further customize the library. Our convolution reverb sports a selection of custom, hand-picked impulse responses ranging from huge concert halls to small chamber spaces – an easy way to achieve drastically different tones with one click.
Other useful features include the Doubler, which doubles the size and width of every ensemble, Extra RR, which adds even more variations to every section (great for ostinato staccatos), and Staccato Tightness, allowing for the full range of short notes from loose and full to ultra-short and tight.
Size |
7GB |
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Brand |
Impact Soundworks |
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Julia Butler –
I was pleasantly surprised by the quality of the orchestral sounds and how easy it was to integrate them into my music production. Highly recommend!
Simon Butler –
Absolutely blown away by the range and quality of sounds in this orchestral library. Perfect for adding depth and emotion to my compositions.
Harper Carter –
The range of orchestral sounds was impressive and inspiring, but some of the presets felt a bit repetitive. Overall, a solid addition to my composing toolkit.
Joshua Murphy –
This orchestral software really brought my compositions to life – incredible sound quality!
Charlotte Bennett –
I was blown away by the variety and quality of sounds in this orchestral library. A great addition to my music production toolkit!
Anthony Coleman –
I was blown away by the quality of the orchestral sounds in this product, definitely worth the investment!
William Turner –
Absolutely blown away by the diverse range of orchestral colors in this library – so versatile and easy to work with. A must-have for any composer!
Bella Walsh –
Absolutely blown away by the range of sounds and textures in this orchestral library. Instantly took my compositions to the next level – would highly recommend!