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Six vowels and 23 consonants give you the tools to create your own words and phrases.** But we went deeper than just sampling a bunch of vowels and consonants. Way deeper. Consider these elements:
An “s” singing into an “ee” sounds different from an “s” singing into an “oo.” (Try it yourself. Listen to how your own “s” will sound different, depending on the vowel.) So each consonant was recorded separately going in and out of each vowel. There are two and a half octaves of “k” samples (32 samples) that go into “ah.” Another 32 of “k” into “eh.” And so on. For each consonant, that’s six sets for each vowel.
When we recorded the ending consonants (completely separate samples), we noticed that it doesn’t sound quite right if you just slap an end consonant sample onto the end of a vowel sample. A singer’s mouth closes differently, depending on which consonant they’re going to. So we sampled not only 192 ending “t” consonants (6 vowels times 32 samples per vowel), but we also recorded the closing vowel sounds leading into each consonant. For ah. And for eh. And ee. And oh. And oo. And uh.
So when you play “Peace,” you’ll be triggering four samples altogether. First is the “p” sample that specifically with “e.” Then you won’t hear just any “ee,” but you’ll actually get the “ee” that comes after “p.” (Your ear would know if we tried to cheat and use a regular “ee” instead.) Then you’ll hear a few milliseconds of a closing “ee” that would lead into “s.” And then finally, the “s”. A closing “s” that specifically goes with an “ee” vowel..
This is why Realivox Blue is 12,000 samples. No other vocal library that we know of has gone this deep in the quest for realistic vocal performances.
We sampled legato intervals for all six vowels, as well as for “mm.” (We find humming to be a particularly useful articulation.) Not just the six/seven vowels, but also the special transitions betweem say, oo to ee. When you sing from oo, to ee, there will be a “w” in the transition. (Try it yourself and you’ll hear what I mean.) So we have “oowee” legato samples. And “oowah.” And “ooweh.” And “eeyoh.” And on and on.
Then we spent months editing and balancing to get the legato as smooth as we could make it.
We believe this is the simplest and most intuitive polyphonic legato there is. There’s only one knob, and you’ll probably never even touch it. You just play. Check out the videos to see how easy it is.
Whether you want to thicken her a bit, or whether you want to create an ensemble sound, simply turn on Voice 2 and Voice 3 and you’re in business. No need to open a second or third track for doubles or triples. We make it easy.
There are volume, pan, tuning and timbre settings, as well as delay offset, if you don’t want the singers too perfectly in sync..
Do you have the full version of Kontakt? Then we pass the savings on to you.
Or if you don’t feel like spending $399 on Kontakt, no problem. We pay a license fee to Native Instruments so that you can use Realivox Blue in the free Kontakt Player. And we actually charge you less than what we pay them. ‘Cause we’re cool like dat!
Realivox Blue (and Kontakt) works on PC or Mac.
An internet connection is required for the activation process.
Audio formats: VST, AU, RTAS, AAX
Size |
2GB |
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Brand |
Realitone |
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Antione Mckee (verified owner) –
Very fast downloading, awesome price,excellent product
Bill Horn (verified owner) –
the level of care and attention to detail demonstrated by the team left me genuinely impressed and thoroughly satisfied.🙌
Domingo Wright (verified owner) –
Сделка прошла быстро и гладко. Я очень счастлив
Alejandra Ball (verified owner) –
Awe-inspiring customer service
Monty Bates (verified owner) –
Fantastic, thank you😇
Lorna Lane (verified owner) –
I gotta say 10/10.⭐
Leif Rush (verified owner) –
Everything was as described. superb🌝👌
Nora Evans –
I love the smooth and realistic vocals, but the interface could be a bit more user-friendly. Overall, a solid purchase.
Oliver Cooper –
I was pleasantly surprised by the quality of the vocal samples, felt like they were singing right next to me. Would definitely recommend to others looking for a realistic vocal sound.
Caroline Hamilton –
I love the variety of vocal styles available with this product, it’s really helped add depth to my music productions.
Mia Hughes –
Overall, I’m really impressed with this product – it has exceeded my expectations in terms of sound quality and ease of use. Would definitely recommend to others looking for a similar tool.
James Carter –
I am extremely happy with the quality of this virtual instrument – it has added a new level of realism to my recordings.
Leah Baxter –
I was pleasantly surprised by how realistic this virtual instrument sounds; it’s definitely a game-changer for my music production.
Marcus Hamilton –
This virtual instrument has a great range of realistic vocal sounds, although I wish there were more customization options available.
Charles Fisher –
Overall, I’m really impressed with this virtual instrument – it’s easy to use and sounds fantastic. Highly recommend it to anyone looking to add realistic vocals to their music.
Noah Spencer –
I love the variety of voices and the ability to create realistic vocal performances with this software. So easy to use and sounds amazing!
Michael Brooks –
I love the realistic sound and easy interface of this virtual instrument, it really brings my music to life!