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Soundiron – Iron Throne
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£9.99
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Description
Iron Throne is a dark collection of metallic percussive and semimelodic effects, ideal for horror and suspense scoring and post production effects. We used bows, metal rods, fists, nylon, brushes and more to lift all manner of demon song from this contraption.
This little beast is a very, very eerie and dark collection of metallic percussive and semimelodic effects, ideal for use in horror and suspense scoring, sound design, trailer effects and post production, experimental and ambient music, or anything else you can think to do with it. The origins of the strange creation/discovery will remain a forbidden secret – even though we had a contest where over 130 people tried to guess its origins. What we can tell you is that we beat and played the hell out of it… or in to it, depending on how you look at it. We used bows, mallets, metal rods, rubber balls, fingers, fists, drum sticks, nylon, metal brushes, rasps and files, water and earth to lift all manner of demon song from this contraption.
We used viola bows on the throne edges to create eerie melodic and dissonant tones. Several types of bowed instrument sets are included, including long sustains, medium gliss effects, short staccato, spiccato, and tremolo sustains. There are a number of different mallet rubs, brush, finger, and comb effects to explore. The finger drags, rubber ball, and flat mallet rubs were created by dragging the edge of the mallets (or fingers) along surfaces on the throne, in long arcs and lines. This caused it to resonate in a similar fashion to a rubbed gong. Mallet strikes were produced with wooden, felt, and metal tipped mallets and sticks to produce standard metal percussion sets. For Iron Throne 2.0, we created brand new ambiences, drones and atmospheric pads from the raw source recordings. This library also contains 20 new custom FX presets to give you instant inspiration for your next film/video game score, soundtrack or music composition.
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Contents
The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more. We’ve also included 20 unique sound-designed custom FX presets to give you lots of creative options.
This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.
The interface is rounded-out by our modular FX rack panel, with 18 different DSP effect modules that you can assign in any of 10 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We’ve added a great bank of FX rack chain factory presets to get you started!
Kontakt Format
This library is designed for the full retail version of Native Instruments Kontakt 5.5 or later. Kontakt is an industry-standard advanced virtual instrument software platform. You can view screenshots of this library’s custom graphical user interface in the image gallery above. This library is packed with features to provide you a wide range of sound shaping parameter controls, each one totally automation-ready in your host environment or Kontakt’s stand-alone mode. Learn more about Kontakt by Clicking Here.
This is a standard Kontakt open-format library, so the free Kontakt Player does not fully support it and can only run it in a limited “demo mode”. However, the sample directories are unlocked so you can use them in other wav-compatible software, sampler and synth formats. The special Libraries tab doesn’t support this open-format Kontakt library, but you can use the standard File browser tab and import this library into the Kontakt Quickload window for easy loading and navigation.
Product Specs
- One master NKI instrument bank in open Kontakt format
- Bowed Sustains, Stabs, FX, Brush, Finger, Comb Percussion, Rubber, Felt, Wooden Mallet Rubs, Strikes
- 30 Ambience patches created from the source content
- 24 bit / 48 kHz uncompressed PCM wav samples
- 20 Custom Sound-Designed FX and Ambient presets
- 899 Stereo WAV files
- Flexible and intuitive multi-layer user interface controls, with LFO, filter, glide, and arpeggiator
- Full FX rack with convolution reverb with custom rooms, halls, chambers & FX environments
System Requirements
The full retail version of Native Instruments Kontakt version 5.5 (or later) is required to use .nki instrument presets included in this library. The free Kontakt “Player” and “Add Library” import process do not support this standard open-format Kontakt library. Windows 7 or higher. Mac OSX 10.9 or higher. Dual Core CPU, 2 GB System Ram, SATA or SSD hard drive recommended for this library.
Specification
Size
| Size |
606MB |
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Brand
| Brand |
Soundiron |
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Customer Reviews
10 reviews for Soundiron – Iron Throne
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Andrew Hunter –
Love the rich textures and unique soundscapes I can create with this library, really adds depth to my music production.
Simon Butler –
This sample library has a wide variety of unique and inspiring sounds, but some patches are a bit hit or miss. Overall, I’m happy with my purchase and would recommend it to other musicians.
Charles Fisher –
This instrument has an amazing range of unique sounds that add depth and character to my compositions – definitely worth the investment!
Nicholas Grant –
Really impressed with the quality and variety of sounds in this virtual instrument, it’s definitely worth the investment.
Evelyn Fisher –
This virtual instrument has some seriously powerful and unique sounds that really stand out in my productions – definitely worth the investment!
Kyle Baxter –
This instrument has a unique sound that sets it apart from others I’ve tried, definitely a great addition to my collection.
Abigail Brooks –
This virtual instrument has a really unique sound, and the interface is super intuitive. Worth the investment!
Henry Bennett –
I absolutely love this virtual instrument – the sound quality is amazing and it’s so easy to use. Would highly recommend to any musician!
Caroline Hamilton –
Love the variety of unique sounds in this library and the ease of use. Definitely worth the investment for any music producer!
Alice Ford –
This product exceeded my expectations – the sounds are rich and dynamic, perfect for adding depth to my compositions. Would highly recommend!