Orchestral Tools – METROPOLIS ARK 4
Current price:
£9.99
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Description
ELITE ORCHESTRAL FORCES
Size may be king in the natural world but sometimes the real power lies beneath the surface. After all, some of the tiniest insects are hardwired to floor a six-ton elephant.
This latent symbiotic power comes to the fore in the same way with Metropolis Ark 4. The sections are not small—they are sharply focused, like the Maschinenmensch robot in Fritz Lang’s Metropolis: Bristling with expressive energy and singularity of purpose.
Just like the concentrated eye of the storm, the sound is always powerful and aggressive. The dynamic range goes from pianississimo to fortississimo, but the underlying force and bite is always there—every whisper is a controlled scream.
HIGHLIGHTS
Introducing power legato
Focused section sizes
10 unique blended woodwind and brass ensembles
Male and female choirs
Extreme dynamic ranges from ppp to fff
Extreme articulations—overblown/overpressure
The front row of the Metropolis series
Recorded at the Teldex Scoring Stage in Berlin
Specification
Size
| Size |
48.2GB |
|---|
Brand
| Brand |
Orchestral Tools |
|---|
Customer Reviews
7 reviews for Orchestral Tools – METROPOLIS ARK 4
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Aaron Russell –
Overall, I’m really impressed with this orchestral tool! The sounds are rich and realistic, and I feel inspired every time I use it. Definitely worth the investment.
Adam Peterson –
Absolutely blown away by the quality of the samples in this library – so lifelike and inspiring! Would highly recommend to any composer or producer looking to add depth and richness to their sound.
James Carter –
Impressed with the variety and quality of sounds, definitely a game-changer for my compositions.
Hazel Collins –
This virtual instrument is a game-changer for cinematic compositions – the realistic sound quality will blow you away!
Andrew Hunter –
I am blown away by the realism and depth of the sounds in this orchestral library. It has completely elevated my compositions and I couldn’t be happier with my purchase.
Sadie Clarke –
This library exceeded my expectations with its realistic sound quality and dynamic range, making it a must-have for any composer.
Henry Bennett –
I was blown away by the realism and depth of the sound in this orchestral library – definitely a game-changer for my compositions.