Spitfire Audio – Aperture Orchestra
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Spitfire Audio – Aperture Orchestra
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Description
From an intimate strings to a rapturous symphony
We have harnessed the power of four different orchestral sections to release the beastly power of strings, brass, and woodwind. Move seamlessly from a quintet of solo players performing at the softest level, right up to a full symphonic orchestra playing at full pelt — all in the same instrument. Featuring 30 essential articulations, the library ~6GB enables you to achieve new levels of expression by controlling both dynamics and the number of players simultaneously, giving you incredible focus, texture, and magnitude — an imagined aperture in sound.
30 articulations
Intuitive GUI with inline help
Listen to Aperture Orchestra
Trailer Music — Aperture Orchestra
Moonchild — Louis Rugg
Features Ólafur Arnalds Stratus
Mistrust — Oliver Patrice Weder
Walkthrough
20:37
The beast within
Expertly recorded in The Hall at London’s AIR Studios, scoring stage for some of the biggest blockbuster films, including Harry Potter, The Dark Knight, and Interstellar — we offer you the most explosive orchestra that we have ever created, almost impossible to recreate live.
The Aperture Orchestra
Aperture Orchestra works on the basis of an imagined aperture in sound. At the bottom of the dynamic range, the library features close recordings of single string players playing at the softest level. As you increase the dynamics, the size of the ensemble also increases, until you are playing a full symphonic orchestra.
1st layer
String quartet (p)
2nd layer
Chamber strings (mp)
3rd layer
Symphonic strings (mf)
4th layer
Symphonic orchestra (ff)
What’s included
Raptor
A collection of presets from intimate to action in an instant, create tension with the softest string layers, building the intensity when releasing the full orchestral beast.
- Raptor Long
- Titan Long
- Punchy Long
- Raptor Shorts
- Titan Shorts
- Punchy Shorts
- Muted
- Extra Muted
- Monumental Shorts
- Cosmic Shorts
- Pizzicato & Woods
- Pizzicato & Brass
- Spiccato & Woods
- Spiccato & Brass
- Col Legno
- Overblown Shorts
Dreadnought
A collection of presets offering stunning clouds of orchestras, blooming from light and textured strings to a widescreen beautiful and effected full orchestral ambiance.
- Flautando Clouds
- Flautando Ripples
- Sul Tasto Clouds
- Sul Tasto Ripples
- Soft Grains
- Sul Pont Clouds
- Sul Pont Bends
- Sul Pont Pulses
- Tremolo Flutters
- Tremolo Ripples
- Harmonics & Woods
- Harmonics & Brass
- Soft Brass Shorts
- Soft Woods Shorts
Tech specs
Mac system requirements
Mac OS X 10.13 – OS 13
Minimum: 2.8GHz i5 (quad-core), 8GB RAM
Recommended: 2.8GHz i7 (six-core), 16GB RAM
32-bit DAWs not supported
PC system requirements
Windows 10 and Windows 11. (Latest Service Pack, 64-bit)
Minimum: Intel Core 2.8GHz i5 (quad-core) or AMD Ryzen 5, 8GB RAM
Recommended: Intel 2.8GHzi7 (six-core) or AMD R7 2700, 16GB RAM
32-bit DAWs not supported
Kontakt player
Kontakt Player 5.6.8
Specification
Size
Size |
5.5GB |
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Brand
Brand |
Spitfire Audio |
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Olivia Turner –
Absolutely blown away by the sound quality and versatility of this virtual orchestra. So many unique and dynamic sounds to play with!
Scarlett Price –
Amazing orchestral sounds, really added depth and emotion to my compositions. Easy to use and great value for the price!
Leah Baxter –
I was blown away by the quality and depth of the orchestral sounds in this library – truly a game-changer for my music production!
Sebastian Walsh –
Absolutely blown away by the quality and realism of this orchestra library, it’s definitely worth the investment and has taken my compositions to the next level!
Eric Lawson –
The sounds from this orchestral library are absolutely stunning, giving my compositions a professional edge. Worth every penny!
Scarlett Price –
The orchestral sounds are incredibly realistic and easy to work with, making composing a breeze – highly recommend this product!
Eleanor Mills –
Absolutely blown away by the quality of this orchestra library, the sound is so realistic and rich! Would highly recommend to any composer.
Thomas Ward –
The orchestra samples are top-notch and really bring my compositions to life, though the interface can be a bit clunky at times. Overall, a solid purchase for any musician looking to add depth to their sound.
Nicholas Grant –
The orchestral sounds are top-notch and filled with rich textures, definitely worth the investment.