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Yumtone H4 is pure digital magic. This Japanese FM synthesizer called the Electone HC-4 was introduced to the market by Yamaha in 1987. It featured two 44-note keybeds, a foot pedal system, drum/rhythm machine, velocity sensitivity, 16-operator FM voices, and a variety of buttons to control volume, instrument type, auto accompaniment, and tempo. The Electone series started as organs in the late 1950s, but transitioned to digital synthesis in the 1980s with advances in integrated circuit technology. Our library includes synth sustains, staccatos, piano, vibraphone, bells, tempo-syncable drum machine loops, hits, and key SFX. We recorded the instrument articulations in wide stereo and direct line in. After that, we crafted 20 evolving ambient pads from the source content to boost usability, and 20 custom FX presets to ignite your next composition. Yumtone H4 presents a delicious digital sampler platter of a classic FM synthesizer, complete with piping hot tonal flavors ready to complement any genre of music.
We’ve packed the GUI with lots of great sound-shaping controls that give you the flexibility to warp the sound in many ways. You have control over Volume, Attack, Release, Transient Offset, Vibrato and Octave layering. The “Glide” control slider allows you to play legato and portamento leads. You’ll also find an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 13 lowpass, high-pass and FX filter, with assignable modulation control options, including velocity, modwheel, expression, after-touch, key position and step-sequencer table control. You can also use our customizable arpeggiator, with a built-in velocity sequencer table and control over arp direction, note timing, swing, randomization and duration.
Yumtone H4 was recorded by John Valasis. John is a Greek-born composer, producer and sound designer. From his Athens based studio, he delivers scoring, foley and sound design services for many local and international clients. John’s clientele includes prestigious brands like Native Instruments, Ableton, Soundiron, Virgin, Amazon Prime Video, Vice Magazine and BBC. John is also roster of Ninja Tune’s imprint Just Isn’t Music, alongside artists like Amon Tobin, Bonobo, Flying Lotus and The Cinematic Orchestra.
John’s professional experience began in the 90s as a composer and producer for popular music and gradually expanded his skill-set across a large variety of genres. With the abilities he acquired through his 20-year professional career, as well as his genuine love for soulful music, he has crafted a strong, personal and diverse musical identity. When not working on tight deadlines, John uses Poordream as a vehicle to freely express his emotions and influences, to explore sound and composition beyond the boundaries of conventional electronic music.
Yumtone H4 was recorded in a dry studio using a pair of Neumann TLM 103 large diaphragm microphones and direct line in. We recorded many stock presets with sustains, staccato, and drum loop samples. The included octave, vibrato and FX rack give you an easy-to-use interface to completely customize and shape its fat analog sound to fit a variety of creative styles.
The library comes equipped with flexible control features, like Swell, pitch Glide, Attack, Release, Vibrato, and Octave. There’s also a complete DSP effects rack, including convolution reverb with dozens of unique spaces, such as cathedrals, churches, halls, bunkers, garages, tunnels, chambers, rooms and plenty of otherworldly FX impulses to fully explore and endless variety of strange and unexpected sonic manipulations.
This library is designed for the full retail version of Native Instruments Kontakt 5.5 or later. Kontakt is an industry-standard advanced virtual instrument software platform. You can view screenshots of this library’s custom graphical user interface in the image gallery above. This library is packed with features to provide you a wide range of sound shaping parameter controls, each one totally automation-ready in your host environment or Kontakt’s stand-alone mode. Learn more about Kontakt by Clicking Here.
This is a standard Kontakt open-format library, so the free Kontakt Player does not fully support it and can only run it in a limited “demo mode”. However, the sample directories are unlocked so you can use them in other wav-compatible software, sampler and synth formats. The special Libraries tab doesn’t support this open-format Kontakt library, but you can use the standard File browser tab and import this library into the Kontakt Quickload window for easy loading and navigation.
The full retail version of Native Instruments Kontakt version 5.5 (or later) is required to use .nki instrument presets included in this library. The free Kontakt “Player” and “Add Library” import process do not support this standard open-format Kontakt library. Windows 7 or higher. Mac OSX 10.9 or higher. Dual Core CPU, 2 GB System Ram, SATA or SSD hard drive recommended for this library.
Size |
7.4GB |
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Brand |
Soundiron |
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Ini hemat biaya, produk berkualitas baik dan dikirimkan tepat waktu.
Brandon Cross –
The sounds in this library are truly delicious – they add a whole new level of flavor to my music production.
Daisy Barnes –
Love the range of unique sounds in this virtual instrument, definitely adds a new dimension to my music production. Would recommend to other musicians.
Patrick Barnes –
The sampling quality is top-notch, but the interface could be more intuitive.
Xavier Blake –
Loving the variety of unique sounds and textures, they add a lot to my music production. Would definitely recommend to other musicians looking to expand their sound library.
Benjamin Harris –
Really impressed with the variety of sounds and customization options. The interface is user-friendly and I feel inspired to create new music with it. Great value for the price!
Joshua Murphy –
Loving the unique sounds and versatility; the interface is user-friendly, making it easy to create some amazing music.
Amelia Cooper –
Amazing sounds and easy to use, definitely worth the investment for any music producer.
Caleb Mills –
This instrument has a unique and interesting sound, but the interface could be more user-friendly. Overall, a solid addition to my collection.
Leah Baxter –
Absolutely love the rich tones and versatility of this sample library! The layout is intuitive and the quality of the samples is top-notch.
Hannah Hayes –
I absolutely love the rich and versatile sound of this virtual instrument – it adds a unique depth to my music production.